Cinematic technique in the contemporary fiction: "El tránsito"

Abstract

This work aims to question some narrative structures close to the cinematographic technique that we could find during the reading process in contemporary
literature. The novel by Juan Antonio Galán, El tránsito, will allow us to delve into the audiovisual aesthetics of the literary text through Gilles Deleuze’s theorizing about the “movement- image”, while other theorists, who have highlighted the intertextuality between both forms of communication, will serve us to consolidate our ideas.